I've been to the Tweeter for enough festival type shows to know that you should always get actual seats. I've experienced the lawn seating in the rain first hand and it sucks. They were calling for rain and on the way there. It drizzled. But as we crossed the Ben Franklin Bridge into Camden, the skies opened up and it looked like it was going to be a nice day.
We got there, got the lay of the land and went in to see Deadsy. A few weeks ago, we saw them open for Flyleaf at the Chameleon Club in Lancaster. They're creepy. And yet, I find myself inexplicably drawn to them, especially the blonde guy on synthesizers. They more or less did the same set from a few weeks ago, ending with a cover of Rush's "Tom Sawyer" in which the singer dropped the "mother fucker" bomb. As in "Mother Fuckin' Tom Sawyer gets high on you..." or something to that effect. With that, they won me over. If you mother fucker a Rush song, you're now my new best friend. I decided that I liked them enough to buy the CD.
This worked out well. As it turned out, they were selling them at the FYE table for $15 and the band was coming out after their set to sign them. Figuring I'd probably end up buying it sooner or later anyway, I bought it and got in line to have it signed. I felt like someone's mom. There were all these Goth kids in line with me. A guy with a camera panned the crowd who cheered. I stood and laughed, feeling so out of place. The guys in front of me went on and on into the camera about how they liked Deadsy's version of "Tom Sawyer" so much more than Rush's. I'm sure this will hurt them someday if they ever want Canadian citizenship.
I got the front of the line. The guys were apparently instructed what to say to people as they walked through the line. "Thanks for buying the CD. We're doing a club tour in a few weeks..." blah blah blah. I told the first guy that I saw them at the show at the Chameleon and thought they were great. His face lit up a little. The synthesizer guy was even cuter in person. I looked him in the eye and had a hard time turning away. It was creepy. Another one of the guys in the band had fake blood all over his face. They all signed with symbols rather than their fake stage names. It's a big act, but I loved it.
We went back to our seats to and saw the end of 10 Years and all of Dir En Gray. Dir en Gray was quite a sight. They're these crazy little Japanese rockers. Up next was Flyleaf, part of the reason why we were there. Paul is absolutely obsessed with them at the moment. Honestly, of the four times that we've seen them, I think this was their worst performance. Something seemed a little off to me.
Since they were doing a meet and greet and Paul is practically stalking their singer Lacey Mosely, we bought CD's to get signed. One of Paul's co-workers' daughters likes them and he thought it would be nice if we got her an autographed copy too. I think he just wanted me to go through the line with him so that I would take his picture with Lacey Mosley on his camera phone. And it's funny because when we got to the front of the line to get the CD's signed, Paul asked Lacey if he could take a picture. When I offered to take the picture for him so that he could get in it, he said no. Fucking wierdo! The band was very nice and introduced themselves and shook hands. But this put me in an awkward position since I was getting the CD signed for the co-worker's daughter and I didn't know her name for them to put on the CD. The picture that Paul took is below.

She's so tiny!
During this time, Dir En Gray did a meet and greet, but did not sign anything. We commented to one of the FYE people that it was probably because they didn't know how to sign their names in English. She smirked and kind of nodded.
We made it back to our seats for the last half of Stone Sour's set. It wasn't bad. Next came the Deftones. I must admit that I know little about them. In fact, the only song that I knew that they did was a cover of the Cure's "If Only Tonight We Could Sleep." But I liked them. I just haven't had much exposure to them. They were good.
I thought our seats were pretty good since they were right by the soundboard. The sound at a concert is always best there. But throughout the show, there were these girls in front of us who had seats elsewhere, but kept coming to our section to hang with other friends. They would stand in front of us, putting their asses right in front of our faces. Being short people, we decided to move over to the other end of the row. This put me right next to the railing blocking the seats from the soundboard area in the last row of the section.
During the Deftones' set, this guy in the section behind us decided to stand against our section and dance. He kept bumping our seats and I swear his sack hit Paul on the head a few times. It took all I had to not turn around and say, "Excuse me. Could you please stop t-bagging my husband? Thanks!" I guess we could have moved back to our other seats. The annoying girls had been chased back to their section by security. But by this time, we had heard rumors that Korn was to come out and do the first song of their encore on a platform in the mixing board area, giving me a front row seat. I place my knee firmly on the railing. I wasn't going anywhere.
Korn came on. And despite all those warnings from Gloria Estifan, the rhythm did in fact get me. I really got into it and started dancing. I called Griff during "ADIDAS" since we used to listen to that all the time. I was excited. They played all the regular singles and some things here and there from the new CD. It was a good mix. I looked over and saw members from Dir En Gray sitting on the platform in the mixing board area. Soon, security started beefing up and flashing flashlights. They placed a water bottle on the platform. I knew the set was coming to a close.
When they finally came out, they walked right past me to get on the platform. Everyone crowded around. They did their song, but I couldn't even tell you what it was because I just couldn't get over how lucky I was to have my seats. Paul took these pictures.


When they walked off the stage, everyone crowded around again trying to get high fives. I put my hand out and Jonathan Davis gave me little twinkly fingers against my palm. Yeah, I wouldn't want to touch half those people there, either.
They got back on the stage. Jonathan ran around in a goat mask for a little while and then they finished with "Are You Ready?" and a lot of purple confetti. Someone shot t-shirts into the crowd with potato guns. It was a really good time.
We also had the quickest and easiest escape from Camden that I've ever had. We got out and got on the bridge before traffic backed up. I'm not sure what I did to deserve such good concert karma (save for the guy bag tagging Paul's head), but I hope it happens again.